| People Need: | What People Often Experience: | What You Can Do About this Gap: |
|---|---|---|
Connection |
Fragmented issues or concerns. For instance, education as a separate issue from family life. |
Make connections between concerns, rather than isolate one concern from another. |
Personal Context |
Appeals made to people’s narrow self-interest. |
Draw on people’s life experiences and imagination to establish ties to public concerns. |
Coherence |
Issues depicted as masses of fragmented facts. |
Provide the “whys” and “hows,” the history, and all sides of the debate behind a public concern. |
Room for Ambivalence |
Public debate cast in extremes and polarized. |
Explore people’s ambivalence: Highlight questions people are sorting through, test different ideas and make connections. |
Emotion |
“Rational” discourse that is stripped of emotion. |
Use emotion as a vital part of news coverage, not in a gratuitous way but to help people understand public discourse. |
Authenticity |
Expert-driven facts and figures used to establish authenticity. |
Offer insights from people that “ring true,” and reflect a sense of reality. |
Sense of Possibility |
Public concerns riddled with inaction, stagnation, lack of hope. Emphasis on giving “bad news.” |
Show what progress is possible on a public concern and how people can play a meaningful role in bringing about such success. |
Catalysts |
Experts seen as the “credible sources” for information and for engaging citizens. |
Look beyond experts and office-holders as sources. Consider the people whom individuals look to in their daily lives: neighbors, family members and friends. |
Mediating Institutions |
Appeals that treat people as if they are passive information consumers isolated in their homes. |
Cover a variety of places where people come together to discuss, learn about and act on concerns: schools, churches, neighborhood councils. |
Adapted from Meaningful Chaos: How People Form Relationships with Public Concerns. Prepared by The Harwood Group for the Kettering Foundation, 1993.